In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered, an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so uncover a sinister plot that puts all of humanity in grave danger.
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Luke O’Brien, a washed-up salesman turned night law student, decides to sue Satan for $8 trillion dollars. On the last day before Luke files a default judgment, Satan appears to defend himself. On Satan’s legal team are 10 of the country’s best trial lawyers. The entire world watches on Legal TV to see who will win the Trial of the Century
Friday Foster, an ex-model magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to assassinate Tarr. Foster photographs the melee and is plunged into a web of conspiracy involving the murder of her childhood friend, a US senator, and a shadowy plan called “Black Widow”.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
Tae-san is a man who truly has everything – money, fame, and power. Everything that a man can desire. He has two women who he wouldn’t change for the world. They’re his only daughter, Mira, and a chart- topping pop star fiancée, Yuna. Tae-san wants them to get along, but Mira doesn’t take kindly to her stepmother-to-be. One day, Yuna gets killed in a horrific accident, and Mira is arrested as the suspect. Tae-san firmly believes that his daughter is not the killer and mobilizes all his resources to protect her. He finds out about Yuna’s stalker, Dong-myung, who knows the truth about the accident, and he hires Hee-jung, a lawyer that Mira trusts like her sister. Working with them, Tae-san orchestrates a risky plot to find his fiancée’s real killer. The man who has the world is about to change it…
A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way to cope with a crazy situation. Catch-22 is a parody of a “military mentality” and of a bureaucratic society in general.
Steve McQueen is ideally cast as a champion race car driver, participating in the famed 24-hour race headquartered in Le Mans, France. Though dedicated to Going for the Gold, McQueen finds time to romance widowed Elga Andersen. The dramatic angle to this plot wrinkle is that McQueen may well have been responsible for the death of Andersen’s husband during a previous car pile-up. Director John Sturges, who’d previously helmed Steve McQueen’s legendary motorcycle chase scenes in The Great Escape, was originally slated to direct Le Mans, but withdrew from the project; it was then taken over by Lee H. Katzin.
Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a hair-brained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry.
D’Artagnan travels to Paris hoping to become a musketeer, one of the French king’s elite bodyguards, only to discover that the corps has been disbanded by conniving Cardinal Richelieu, who secretly hopes to usurp the throne. Fortunately, Athos, Porthos and Aramis have refused to lay down their weapons and continue to protect their king. D’Artagnan joins with the rogues to expose Richelieu’s plot against the crown.
An Orange County teenager’s carefree life of ditching class and skateboarding abandoned pools comes to a screeching halt when his adopted Vietnamese brother dies. The cops rule the death a suicide, but the bereaved skater believes he was murdered. It’s up to him to solve the case, with a skateboard.
Mina Shum directs an all-star cast — including Cheng Pei Pei, Sandra Oh, Tzi Ma, and Don McKellar — in her latest feature, about a devoted wife and mother (Pei Pei) who is forced to reassess her reverence for her husband after she finds another woman’s thong in his laundry.