It’s 1941 and the Japanese attack on Pearl Harbor has destroyed America’s morale. The US President Franklin D. Roosevelt then decides to risk it all by bombing Tokyo and raise more hope for his citizens. After completing its mission, a unit of the US Air Force is forced to make an emergency landing in China. Its commander Jack Turner (Emilie Hirsch) barely survives but gets rescued by Ying (Crystal Liu), a local widow who will stop at nothing to hide him from the Japanese occupant.
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Brooks Caldwell, (Cary Elwes) an erudite and handsome lawyer, seems to have it all: wealth, social status and a red hot career. His success is, in reality, a product of his marriage to his beautiful, socialite wife, Amanda, (Terri Polo) a wealthy timber heiress. Unlike most, who would remain content to enjoy a life of luxury and privilege, Brooks continues to risk everything by having extramarital affairs. Brooks’ philandering, in addition to humiliating Amanda, has driven her to the point of a mental breakdown. Having been pushed over the edge, Amanda orchestrates a just and elaborate plan to bring her husband down. When Brooks leaves for a weekend romp with his latest squeeze, (Agnes Bruckner) his life quickly descends into a bizarre, nightmarish, downward spiral.
Barry is an asthmatic kid having trouble in life. He lives with his father, a computer programmer, in Texas. Barry is struggling to get by in life, dealing with his rough school life, bullies, as well as his health. Barry’s only source of enjoyment is fantasizing that he is with Chuck Norris. Barry becomes sick of getting picked on by the bigger guys, and decides to learn karate.
Director Mario Van Peebles chronicles the complicated production of his father Melvin’s classic 1971 film, “Sweet Sweetback’s Baadasssss Song.” Playing his father in the film, Van Peebles offers an unapologetic account of Melvin’s brash and sometimes deceptive conduct on the set of the film, including questionable antics like writing bad checks, tricking a local fire department and allowing his son, Mario, to shoot racy sex scenes at the age of 11.
Carved from a lifetime of experience that runs the gamut from incarceration to liberation, Dog Eat Dog is the story of three men who are all out of prison and now have the task of adapting themselves to civilian life.
It is the 1960s. Two Maori families, the Mahanas and the Poatas, make a living shearing sheep on the east coast of New Zealand. The two clans, who are bitter enemies, face each other as rivals at the annual sheep shearing competitions. Simeon is a 14-year-old scion of the Mahana clan. A courageous schoolboy, he rebels against his authoritarian grandfather Tamihana and his traditional ways of thinking and begins to unravel the reasons for the long-standing feud between the two families. Before long, the hierarchies and established structures of the community are in disarray because Tamihana, who is as stubborn as he is proud, is not prepared to acquiesce and pursue new paths.
In the waning days of WWI, a U.S. “Mystery Ship,” sets sail for the coast of Spain towing a submarine. Their mission is to find and sink a U-boat that has been especially effective in attacking Allied shipping. Posing as a harmless schooner, the mystery ship is in fact fitted with a formidable gun capable of sinking a U-boat. Stopping in the Canary Islands to refuel, the crew interacts with locals involved with Germans, and with Germans themselves, including the sister of the U-Boat commander, who is lurking offshore waiting for the coming battle.
Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to a dark and complex web of secrets. This is the feature film version of the 2011 short film going by the same name.